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Geo Cabral on Creating Analogue Scenes With LomoChrome Color '92 and LomoChrome Metropolis Film
written by nikkicheung on 2024-03-14 #gear #people #placesGeo Cabral (@scenesbygeo) is a passionate photographer from the Philippines with a love for photography of all kinds. Recently, we invited him to shoot with LomoChrome Color '92 35 mm film and LomoChrome Metropolis 120 film. Check out his results!
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Healing, the Female Form, and the Music of Photography: Interview with Photographer Sofía Fernández Stenström
written by emiliee on 2024-03-25 #peopleFor Sofía Fernández Stenström, photography is a vehicle for healing and transformation. Having photographed women all over the world, Sofía speaks with us about the value of her work as a sacred experience between photographer and model, where a space opens for release and understanding.
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Serbest Salih Reflects on the Past Year With Sirkhane Darkroom and Their Mobile Photography Workshops
written by macasaett on 2024-03-16 #peopleWe catch up with Serbest Salih of Sirkhane Darkroom and hear about the program’s eventful 2023, their plans for the new year, and the creative power of film photography.
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Lomography x Perimetro - 36 Shots, One Story: Interview with Arianna Angelini
written by ludovicazen on 2024-03-18 #gear #people #placesLast spring, in collaboration with Perimetro, we launched an Open Call in which we invited photographers from all over Italy to create a personal project with one roll of 35 mm Lomography film. Today we present Arianna Angelini’s "Benedetta Malinconia", shot on Berlin Kino B&W film.
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Punks, Mods and Skins: Capturing Subcultures on Medium Format Film with Evelyn Kutschera
written by rocket_fries0036 on 2024-03-27 #gear #culture #people #placesBeing fascinated with youth culture and coming-of-age subjects, Evelyn Kutschera captures the alternative lives of Punks, Mods and Skins through medium format film photography.
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24 Reasons to Shoot 110 Film
written by macasaett on 2024-03-17 #gear24 exposures and 24 reasons to use the 110 film format in 2024. Come and explore the 110’s unique take on scale, grain structure, and portability (all without the worry of wasting a frame!).
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