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Learning with Lomography: IEFC Students and the LomoKino - Mireia Sanchez Chacon
written by melissaperitore on 2024-03-24 #gear #videosCheck out some of the results from this special collaboration with IEFC in Barcelona, Spain, where participants of the analogue photography workshop experimented by creating original videos using the LomoKino camera, Lomography film and the DigitaLIZA scanning kit.
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Photographing Simplicity and Beauty in Life with Community Member Miki, a.k.a. @miks
written by sylvann on 2024-03-18 #culture #people #placesCats, mirror selfies and the changing seasons – Japanese film enthusiast Miki photographs life as it happens. For her, film photography is a way to connect with her surroundings, especially as she moves from her home country of Japan to Sweden.
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Testing the Creative Possibilities of Multiple Exposure with the Lomo’Instant Automat Glass and Splitzer Lens
written by macasaett on 2024-03-21 #gear #tutorialsSplice, slice, and roll the dice with the Splitzer Lens of the Lomo'Instant Automat Glass. Craft thoughtful layers and materialize your multiple exposure visions into instant images all within 90 seconds.
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Nat Segebre on Their Analogue Lifestyle and Love for Medium Format Film
written by macasaett on 2024-03-20 #peopleFilm Photographer and Visual Artist Nat Segebre speaks to us about their multi-dimensional analogue practice and the myriad of reasons they turn to this medium for creative expression.
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Understanding The Basics Of Flash Photography
written by eparrino on 2024-03-19 #tutorialsFlash photography can sometimes be intimidating for beginners. In this tipster we'll take you through the basics of how it works and what you can do to make the best use of flash in your photography.
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Jan Narciso's LomoChrome Color '92 Medium Format First Impressions
written by eloffreno on 2024-03-23 #gear #peopleWe sent California-based photographer Jan Narciso a roll of our LomoChrome Color '92 medium format film and he's here today to show his results! Jan tested the film in a low light setting with and without flash, and gives us his general impressions of shooting with this film stock.
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