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Davis Chee's First Impressions of Our New Lomomatic 110 Film Camera
written by nikkicheung on 2024-03-14 #gear #peopleWe invited Davis Chee, a Hong Kong film enthusiast, to shoot with Lomography’s new Lomomatic 110 film camera! As a newbie to the 110 format, let’s take a look at how he captures daily life with this 110 camera, and hear about his experience of using it for the first time!
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Healing, the Female Form, and the Music of Photography: Interview with Photographer Sofía Fernández Stenström
written by emiliee on 2024-03-25 #peopleFor Sofía Fernández Stenström, photography is a vehicle for healing and transformation. Having photographed women all over the world, Sofía speaks with us about the value of her work as a sacred experience between photographer and model, where a space opens for release and understanding.
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Nat Segebre on Their Analogue Lifestyle and Love for Medium Format Film
written by macasaett on 2024-03-20 #peopleFilm Photographer and Visual Artist Nat Segebre speaks to us about their multi-dimensional analogue practice and the myriad of reasons they turn to this medium for creative expression.
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24 Reasons to Shoot 110 Film
written by macasaett on 2024-03-17 #gear24 exposures and 24 reasons to use the 110 film format in 2024. Come and explore the 110’s unique take on scale, grain structure, and portability (all without the worry of wasting a frame!).
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The Lomography Philosophy – A Chat with Indonesian Shutterbug Alvin Sebastian (@spidey27)
written by sylvann on 2024-03-25 #gear #peopleIndonesian shutterbug Alvin Sebastian (@spidey27) chats with us about his experience with Lomography cameras, and his adherence to the first of Lomography's 10 Golden Rules – take your camera everywhere you go!
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Jan Narciso's LomoChrome Color '92 Medium Format First Impressions
written by eloffreno on 2024-03-23 #gear #peopleWe sent California-based photographer Jan Narciso a roll of our LomoChrome Color '92 medium format film and he's here today to show his results! Jan tested the film in a low light setting with and without flash, and gives us his general impressions of shooting with this film stock.
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