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Recap: A La Sardina Double Exposure Lomowalk with The Minilab
2024-03-19 #news #peopleWe recently partnered with The Minilab, a film processing lab in Northampton, for a special La Sardina LomoSchool Lomowalk where we guided participants to create some fun double exposures.
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24 Reasons to Shoot 110 Film
written by macasaett on 2024-03-17 #gear24 exposures and 24 reasons to use the 110 film format in 2024. Come and explore the 110’s unique take on scale, grain structure, and portability (all without the worry of wasting a frame!).
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Life of the Party: Ben Fraternale Tries Out the Lomomatic 110
written by alexa_alexiades on 2024-03-21 #gear #peopleLongtime LomoAmigo Ben Fraternale has had the opportunity of testing the Lomomatic 110 throughout its various stages of development, cultivating a special bond with our newest tiny camera. In this shoot, he shared all the 110 fun with his friends for some casual, creative image-making.
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Healing, the Female Form, and the Music of Photography: Interview with Photographer Sofía Fernández Stenström
written by emiliee on 2024-03-25 #peopleFor Sofía Fernández Stenström, photography is a vehicle for healing and transformation. Having photographed women all over the world, Sofía speaks with us about the value of her work as a sacred experience between photographer and model, where a space opens for release and understanding.
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Portrait Photography with the Fisheye No. 2
written by kylavillena on 2024-03-16 #gearThe Fisheye No. 2 captures life with a unique distortion and disorienting compositions. This may give you the impression that the Fisheye effect wasn't meant to be applied on portraits, but let these photos prove that wrong!
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New York Streets and Subways on 35 mm Film With Photographer Taryn Segal
written by macasaett on 2024-03-15 #peopleArmed with her trusty 35 mm point-and-shoot camera, film photographer Taryn Segal is set to capture every moment. Having recently moved to the city in mid-2023, she's eager and excited to explore its boroughs and textures, film roll by film roll.
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