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Lomography x Perimetro - 36 Shots, One Story: Interview with Arianna Angelini
written by ludovicazen on 2024-03-18 #gear #people #placesLast spring, in collaboration with Perimetro, we launched an Open Call in which we invited photographers from all over Italy to create a personal project with one roll of 35 mm Lomography film. Today we present Arianna Angelini’s "Benedetta Malinconia", shot on Berlin Kino B&W film.
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The Lomography Philosophy – A Chat with Indonesian Shutterbug Alvin Sebastian (@spidey27)
written by sylvann on 2024-03-25 #gear #peopleIndonesian shutterbug Alvin Sebastian (@spidey27) chats with us about his experience with Lomography cameras, and his adherence to the first of Lomography's 10 Golden Rules – take your camera everywhere you go!
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Aseptic Field: Film Photographer Lean Lui on Purity & Idealism
written by sylvann on 2024-03-28 #culture #news #peopleHong Kong artist Lean Lui returns to the magazine to talk about her second photobook, Aseptic Field, a collection of poetic images reflecting her strong ideas around romantic love.
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Recap: A La Sardina Double Exposure Lomowalk with The Minilab
2024-03-19 #news #peopleWe recently partnered with The Minilab, a film processing lab in Northampton, for a special La Sardina LomoSchool Lomowalk where we guided participants to create some fun double exposures.
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Healing, the Female Form, and the Music of Photography: Interview with Photographer Sofía Fernández Stenström
written by emiliee on 2024-03-25 #peopleFor Sofía Fernández Stenström, photography is a vehicle for healing and transformation. Having photographed women all over the world, Sofía speaks with us about the value of her work as a sacred experience between photographer and model, where a space opens for release and understanding.
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Jan Narciso's LomoChrome Color '92 Medium Format First Impressions
written by eloffreno on 2024-03-23 #gear #peopleWe sent California-based photographer Jan Narciso a roll of our LomoChrome Color '92 medium format film and he's here today to show his results! Jan tested the film in a low light setting with and without flash, and gives us his general impressions of shooting with this film stock.
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