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Testing the Creative Possibilities of Multiple Exposure with the Lomo’Instant Automat Glass and Splitzer Lens
written by macasaett on 2024-03-21 #gear #tutorialsSplice, slice, and roll the dice with the Splitzer Lens of the Lomo'Instant Automat Glass. Craft thoughtful layers and materialize your multiple exposure visions into instant images all within 90 seconds.
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Transform Old Negatives With This Engraving Technique
written by eparrino on 2024-03-26 #tutorialsDisrupt, reimagine and subvert your Lomokino negatives with engravings. Follow this tipster if you dare to animate your frame with etchings that alter and reshape your old footage.
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New York Streets and Subways on 35 mm Film With Photographer Taryn Segal
written by macasaett on 2024-03-15 #peopleArmed with her trusty 35 mm point-and-shoot camera, film photographer Taryn Segal is set to capture every moment. Having recently moved to the city in mid-2023, she's eager and excited to explore its boroughs and textures, film roll by film roll.
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Portrait Photography with the Fisheye No. 2
written by kylavillena on 2024-03-16 #gearThe Fisheye No. 2 captures life with a unique distortion and disorienting compositions. This may give you the impression that the Fisheye effect wasn't meant to be applied on portraits, but let these photos prove that wrong!
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Learning with Lomography: IEFC Students and the LomoKino - Mireia Sanchez Chacon
written by melissaperitore on 2024-03-24 #gear #videosCheck out some of the results from this special collaboration with IEFC in Barcelona, Spain, where participants of the analogue photography workshop experimented by creating original videos using the LomoKino camera, Lomography film and the DigitaLIZA scanning kit.
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Tipster: Night-time Adventures With the Fisheye No.2
written by rocket_fries0036 on 2024-03-14 #gear #tutorialsWith its 170° lens mixed with features such as multiple exposure, bulb mode, and flash, the Fisheye No.2 is perfect for nights out. Here we share some tips on how to get the best low light photos with your Fisheye No.2.
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