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I shot this roll in July, thinking I was shooting doubles with my friend Nicole on a roll that had been sitting in my fridge for some time. When I processed it, I realized that I had shot the film twice and so had Nicole, although we are not sure how we managed this feat of quadrupling the film. These scans are a combination of mine and Nicole's as my scanner no longer deals with such thick negatives. My second shoot was done with a Diana F+ with 35mm back, but we are unsure of the other cameras involved. Fuji Reala 100, home processed in Tetenal Colortec C-41.
I shot this roll in July, thinking I was shooting doubles with my friend Nicole on a roll that had been sitting in my fridge for some time. When I processed it, I realized that I had shot the film twice and so had Nicole, although we are not sure how we managed this feat of quadrupling the film. These scans are a combination of mine and Nicole's as my scanner no longer deals with such thick negatives. My second shoot was done with a Diana F+ with 35mm back, but we are unsure of the other cameras involved. Fuji Reala 100, home processed in Tetenal Colortec C-41.
I shot this roll in July, thinking I was shooting doubles with my friend Nicole on a roll that had been sitting in my fridge for some time. When I processed it, I realized that I had shot the film twice and so had Nicole, although we are not sure how we managed this feat of quadrupling the film. These scans are a combination of mine and Nicole's as my scanner no longer deals with such thick negatives. My second shoot was done with a Diana F+ with 35mm back, but we are unsure of the other cameras involved. Fuji Reala 100, home processed in Tetenal Colortec C-41.
I shot this roll in July, thinking I was shooting doubles with my friend Nicole on a roll that had been sitting in my fridge for some time. When I processed it, I realized that I had shot the film twice and so had Nicole, although we are not sure how we managed this feat of quadrupling the film. These scans are a combination of mine and Nicole's as my scanner no longer deals with such thick negatives. My second shoot was done with a Diana F+ with 35mm back, but we are unsure of the other cameras involved. Fuji Reala 100, home processed in Tetenal Colortec C-41.
I placed a sheet of Kodabrome RC paper in a coffee can pinhole mounted on the side of my gallery on June 21, 2017. This is the result when I took it down December 21, 2017, scanned and inverted. Didn't get the top of the arc of the sun!
Random Photos with Canon FT. Got stuck at #26 of 36 on film again. Dragged the heavy thing to Harry at Camera Max who checked it with a dead roll and it wouldn't stick for him, or me either in 6 tries. Started another roll. and we'll see.
So I am busy this weekend, October 20 to 22, with the annual Sunshine Coast Art Crawl. I have had people from as far away as Australia over the first two days.
So I am busy this weekend, October 20 to 22, with the annual Sunshine Coast Art Crawl. I have had people from as far away as Australia over the first two days.
So I am busy this weekend, October 20 to 22, with the annual Sunshine Coast Art Crawl. I have had people from as far away as Australia over the first two days.
So I am busy this weekend, October 20 to 22, with the annual Sunshine Coast Art Crawl. I have had people from as far away as Australia over the first two days.
At the extreme north-west point of Crete, at the end of the Gramvousa peninsula you can admire a stunning place called Balos Lagoon. You first need to drive an 8km dirt track at a very low speed (30mn for 8km!) before parking your car. Take your backpack and photographic gear and take the path in the mountains: suddenly, the view opens in front of you and there's this amazing view before your eyes! Usually very crowded in full summer (tourists reach the place by sea as it's in all touristic cruises program), I was very lucky to go there during a cloudy day and almost nobody on the beach. So I could walk all over the place, in every direction and finally spent over 5 hours there.... And it was the perfect time to shoot some long exposure tripod shots with a very slow b&w film like the Adox CMS20 exposed at 12 iso and exposed for a few seconds at f/22 for maximal sharpness and fine grain photos. (Home processed in Adox Adotech II for 8.5 mn at 20°)
