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A Parisian Weekend With Coline and the Lomomatic 110
2024-03-28 #gear #news #peopleWe recently gave the talented Coline Blf the opportunity to try our new Lomomatic 110. In this interview she tells us about her experience with the pocket-sized camera and shares her fantastic photos!
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Trippy & Temporal with Jasmine Ashley-Locke and the Diana F+
2024-03-21 #news #peopleUK photographer and Photo North Student Competition winner for 2023 Jasmine Ashley-Locke tested out the Diana F+ camera and talked to us about her journey into shooting with film.
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Healing, the Female Form, and the Music of Photography: Interview with Photographer Sofía Fernández Stenström
written by emiliee on 2024-03-25 #peopleFor Sofía Fernández Stenström, photography is a vehicle for healing and transformation. Having photographed women all over the world, Sofía speaks with us about the value of her work as a sacred experience between photographer and model, where a space opens for release and understanding.
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Around the World in Analogue: Oaxaca, Mexico
written by sylvann on 2024-03-24 #culture #people #places #around-the-worldFilm photographer Stephen Hutchison captures the vibrancy and diverse culture of Oaxaca, Mexico with color-shifting LomoChrome films in this edition of Around the World in Analogue.
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Jan Narciso's LomoChrome Color '92 Medium Format First Impressions
written by eloffreno on 2024-03-23 #gear #peopleWe sent California-based photographer Jan Narciso a roll of our LomoChrome Color '92 medium format film and he's here today to show his results! Jan tested the film in a low light setting with and without flash, and gives us his general impressions of shooting with this film stock.
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New York Streets and Subways on 35 mm Film With Photographer Taryn Segal
written by macasaett on 2024-03-15 #peopleArmed with her trusty 35 mm point-and-shoot camera, film photographer Taryn Segal is set to capture every moment. Having recently moved to the city in mid-2023, she's eager and excited to explore its boroughs and textures, film roll by film roll.
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