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New York Streets and Subways on 35 mm Film With Photographer Taryn Segal
written by macasaett on 2024-03-15 #peopleArmed with her trusty 35 mm point-and-shoot camera, film photographer Taryn Segal is set to capture every moment. Having recently moved to the city in mid-2023, she's eager and excited to explore its boroughs and textures, film roll by film roll.
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24 Reasons to Shoot 110 Film
written by macasaett on 2024-03-17 #gear24 exposures and 24 reasons to use the 110 film format in 2024. Come and explore the 110’s unique take on scale, grain structure, and portability (all without the worry of wasting a frame!).
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Lomography x Perimetro - 36 Shots, One Story: Interview with Arianna Angelini
written by ludovicazen on 2024-03-18 #gear #people #placesLast spring, in collaboration with Perimetro, we launched an Open Call in which we invited photographers from all over Italy to create a personal project with one roll of 35 mm Lomography film. Today we present Arianna Angelini’s "Benedetta Malinconia", shot on Berlin Kino B&W film.
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Testing the Creative Possibilities of Multiple Exposure with the Lomo’Instant Automat Glass and Splitzer Lens
written by macasaett on 2024-03-21 #gear #tutorialsSplice, slice, and roll the dice with the Splitzer Lens of the Lomo'Instant Automat Glass. Craft thoughtful layers and materialize your multiple exposure visions into instant images all within 90 seconds.
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Healing, the Female Form, and the Music of Photography: Interview with Photographer Sofía Fernández Stenström
written by emiliee on 2024-03-25 #peopleFor Sofía Fernández Stenström, photography is a vehicle for healing and transformation. Having photographed women all over the world, Sofía speaks with us about the value of her work as a sacred experience between photographer and model, where a space opens for release and understanding.
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Lomography Partners: Nurum of Jakarta, Indonesia
written by alexgray on 2024-03-26 #partnersLomography has film partners all over the world and this time we present to you Nurum from Jakarta, Indonesia.
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