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Nat Segebre on Their Analogue Lifestyle and Love for Medium Format Film
written by macasaett on 2024-03-20 #peopleFilm Photographer and Visual Artist Nat Segebre speaks to us about their multi-dimensional analogue practice and the myriad of reasons they turn to this medium for creative expression.
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Tipster: Night-time Adventures With the Fisheye No.2
written by rocket_fries0036 on 2024-03-14 #gear #tutorialsWith its 170° lens mixed with features such as multiple exposure, bulb mode, and flash, the Fisheye No.2 is perfect for nights out. Here we share some tips on how to get the best low light photos with your Fisheye No.2.
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Aseptic Field: Film Photographer Lean Lui on Purity & Idealism
written by sylvann on 2024-03-28 #culture #news #peopleHong Kong artist Lean Lui returns to the magazine to talk about her second photobook, Aseptic Field, a collection of poetic images reflecting her strong ideas around romantic love.
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Lomography x Perimetro - 36 Shots, One Story: Interview with Arianna Angelini
written by ludovicazen on 2024-03-18 #gear #people #placesLast spring, in collaboration with Perimetro, we launched an Open Call in which we invited photographers from all over Italy to create a personal project with one roll of 35 mm Lomography film. Today we present Arianna Angelini’s "Benedetta Malinconia", shot on Berlin Kino B&W film.
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Photographing Simplicity and Beauty in Life with Community Member Miki, a.k.a. @miks
written by sylvann on 2024-03-18 #culture #people #placesCats, mirror selfies and the changing seasons – Japanese film enthusiast Miki photographs life as it happens. For her, film photography is a way to connect with her surroundings, especially as she moves from her home country of Japan to Sweden.
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Jan Narciso's LomoChrome Color '92 Medium Format First Impressions
written by eloffreno on 2024-03-23 #gear #peopleWe sent California-based photographer Jan Narciso a roll of our LomoChrome Color '92 medium format film and he's here today to show his results! Jan tested the film in a low light setting with and without flash, and gives us his general impressions of shooting with this film stock.
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