Carbol Fuchsin Film: Pink It!

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In an attempt to create something similar to the Lomography X Tungsten 64 film, Krolikowski Art made a crazy darkroom experiment with carbol fuchsin.

Lomographers create ever new ways to change the look of images on film. Today, I want to talk about the new experiment that I conducted with @alexandra_krolikowski.

In an attempt to create something similar to the Lomography X Tungsten 64, we decided to tone unexposed film before loading it into the camera.

But first, let me warn you that this advice is for lab rats. You’ll need to tone the film inside a developing tank and dry it after in complete darkness. If you have never tried developing film by yourself, this might be somewhat difficult for you. But maybe this could be a good opportunity to try developing your film manually.

So, for our mad experiment we’ll need:

  • Carbol fuchsin, also known as Castellani’s paint in the USA. You can buy this at a pharmacy or paint store.
  • Developing tank. You may also use other light-tight containers, but you will need to manipulate the fluid in darkness.
  • Darkroom
  • Hairdryer with cold air mode
  • Scissors
  • Slim office tape

To begin, dissolve carbol fuchsin in water. Be careful – the chemical can leave stains on your clothes.

The color of the mixture we used was saturated.

While inside a darkroom, remove the film from the canister and cut it until there’s only two to three centimeters of film sticking out from it. This would be useful later on when re-spooling the film into the canister. Load the film in the tank.

Operations while the film is in the tank can be carried on in daylight.

Fill the tank with the carbol fuchsin solution. Rotate the tank several times in 10 minutes.

Drain the solution and rinse the film with clean water. Change the water several times until it comes out transparent.

The most difficult thing is drying the film before winding it back into the canister. We used a hairdryer with cold air mode. If you have a darkroom that no one else can enter, you can leave the film there to dry for several hours.

After drying the film, wind it back to the canister. To do this, use office tape to attach the film “tongue” sticking out of the cassette to your carbol fuchsin film. Then, roll it inside cassette. Be careful to not roll the film all the way inside. Leave out a small part so you can load the film into your camera. Naturally, this procedure should be carried out in complete darkness.

Load the film into the camera. It is now ready to be exposed.

Here are our results. We used a roll of Konika 100 VX film:

Credits: alexandra_krolikowski

You may also try using other other aniline dyes for the film experiment. Don’t forget to tell us about your results!

written by alexander_krolikowski on 2014-11-04 #gear #tutorials #diy #experiment #lab-rat #tipster #requested-post #film-experiments #film-soup #carbol-fuchsin #castellani-s-paint

8 Comments

  1. herbert-4
    herbert-4 ·

    I think this is called Castellani's Stain, and it does exactly as advertised. Don't get it on you, either. Cool Idea, subtle effect.

  2. herbert-4
    herbert-4 ·

    BTW... If you do need to paint yourself with this, you have skin fungus...

  3. alexander_krolikowski
    alexander_krolikowski ·

    In Ukraine this is called Fucorcin, and you can buy it in any medicine store. It use like antiseptic.

  4. glenn
    glenn ·

    EXCELLENT

  5. bsdunek
    bsdunek ·

    Interesting! I never would have thought to dye the film before using it.

  6. chilledvondub
    chilledvondub ·

    What effect does that have on your C41 chemicals? I develop all my own film and to really get the most out of them I try to develop only fresh (non-expired film) as everything else really exhausts developer. I've done film soups that kills your developer, x-pro kills developer and using expired film that wasn't stored correctly isn't fantastic for your chemicals either.

    I enjoy a bit of experimentation however for continuity purposes I steer clear of anything that's going to play havoc on my chemistry :)

  7. alexander_krolikowski
    alexander_krolikowski ·

    I develop this film in lab, but thought about chemicals, so rinse well film - paint remained within the emulsion. Certainly film soups kill developer, so I think that prior to developing film must be well washed and dried. Are you sure that the X-Pro destroy chemicals? instruction on box says that the film can developed as E-6 and C-41.

  8. priyotrilaksono
    priyotrilaksono ·

    wow, it's interesting... how about you @aditya-handoyo ?

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